So, for both of these reasons, by the end of the process, all of my MIDI data was located in, and playing from, the DAW track. So, if you had, say, a 4/4 song with some 2/4 measures at the end of a section, then the measures would get out of alignment between EZD2 and the DAW. Also, EZD2 did not allow you to vary the time signature within a song. Depending on the complexity of the song, I might have used the Song Track function to assemble some of the grooves into sections. Click to expand.With EZD2, my general workflow was to create or edit grooves in EZD2, then pull the MIDI data into my DAW (Logic Pro X) for final tweaking.
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